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G.B. Pergolesi - Salve Regina, 1. Salve regina

fredipi

3:33	Est. Play Time
45	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte.		23	8	8	9	94%
		33	11	10	6	87%
Soprano Solo		17	0	6	9	71%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte.		23	8	8	9	94%
		33	11	10	6	87%
Soprano Solo		17	0	6	9	71%

G.B. Pergolesi - Stabat mater, 4. Quæ mœrebat et dolebat

fredipi

2:41	Est. Play Time
103	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I/II Viola Violoncello Contrabasso e organo		25	64	7	3	99%
		21	23	4	3	72%
Alto		12	0	2	6	64%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I/II Viola Violoncello Contrabasso e organo		25	64	7	3	99%
		21	23	4	3	72%
Alto		12	0	2	6	64%

G.B. Pergolesi - Stabat mater, 6. Vidit suum dulcem natum

fredipi

3:16	Est. Play Time
43	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I/II Viola Violoncello Contrabasso e organo		25	49	9	7	99%
		30	35	11	5	96%
Soprano		16	0	6	9	67%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I/II Viola Violoncello Contrabasso e organo		25	49	9	7	99%
		30	35	11	5	96%
Soprano		16	0	6	9	67%

Brahms Johannes 8 Lieder and Romances Op 14 No 3 Murrays Ermordung

fredipi

1:29	Est. Play Time
58	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		29	50	8	7	96%
		26	17	5	8	99%
Singstimme Voice		13	0	2	7	76%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		29	50	8	7	96%
		26	17	5	8	99%
Singstimme Voice		13	0	2	7	76%

César Franck - Die Sieben Worte Jesu am Kreuz - Wort 7

fredipi

3:08	Est. Play Time
55	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		23	47	9	6	95%
		31	13	9	6	84%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		23	47	9	6	95%
		31	13	9	6	84%
Ténor Soliste		15	0	4	6	56%
Basse		12	0	5	6	38%
Alto		8	0	4	6	36%
Soprano		9	0	3	6	36%
Ténor		6	0	1	6	36%

Viardot, Pauline - 6 Mélodies, No.2, VWV 1134 - Belle Yoli

fredipi

2:07	Est. Play Time
66	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		31	88	15	3	82%
		26	29	9	5	100%
Chant Voice		12	0	5	7	73%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		31	88	15	3	82%
		26	29	9	5	100%
Chant Voice		12	0	5	7	73%

G.B. Pergolesi - Stabat mater, 11. Inflammatus et accensus

fredipi

2:36	Est. Play Time
52	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I/II Viola Violoncello Contrabasso e organo		21	46	4	5	93%
		20	40	2	5	87%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I/II Viola Violoncello Contrabasso e organo		21	46	4	5	93%
		20	40	2	5	87%
Soprano		10	0	2	6	56%
Alto		9	0	1	6	33%

Hector Berlioz - Grande Messe des Morts, op.5 - 05 Quaerens me.

fredipi

4:31	Est. Play Time
74	Measures
	1,112Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
SOPRANI ed ALTI		18	0	6	6	93%
Alti		20	0	8	6	93%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
SOPRANI ed ALTI		18	0	6	6	93%
Alti		20	0	8	6	93%
Soprani		18	0	6	6	93%
Basse I.		19	0	5	6	86%
BASSI I e II.		19	0	5	6	86%
Basse II.		21	0	6	6	84%
Basse		21	0	6	6	73%
TENORI I e II.		18	0	7	6	73%
Ténor II.		16	0	5	6	72%
Ténor I.		17	0	6	6	71%
Alto		20	0	8	6	53%
Ténor		15	0	4	6	49%

César Franck - Die Sieben Worte Jesu am Kreuz - Wort 6 - Tenor

fredipi

5:02	Est. Play Time
76	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		27	56	8	7	100%
		27	42	5	6	91%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		27	56	8	7	100%
		27	42	5	6	91%
Alto		8	0	1	7	53%
Basse		11	0	2	7	53%
Soprano		9	0	1	7	53%
Ténor		8	0	1	7	53%
Ténor Soliste		6	0	0	3	11%

Hector Berlioz - Grande Messe des Morts, op.5 - 09 Sanctus.

fredipi

11:04	Est. Play Time
203	Measures
	2,088Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		35	57	16	6	99%
		37	60	13	8	94%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		35	57	16	6	99%
		37	60	13	8	94%
SOPRANI ed ALTI		18	5	6	8	72%
BASSI I e II.		18	1	5	7	48%
TENORI I e II.		17	3	4	7	43%
Tenore solo		12	0	4	7	27%
Alti.		12	3	4	6	18%
Voix 2		14	3	4	7	18%

Johannes BRAHMS - Schicksalslied Op. 54, le Chant du Destin

fredipi

15:51	Est. Play Time
409	Measures
	3,155Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		47	256	26	10	87%
		52	193	26	7	90%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		47	256	26	10	87%
		52	193	26	7	90%
Ténor		20	0	9	6	58%
Alto		20	0	10	6	57%
Basse		23	1	8	6	57%
Soprano		24	0	12	6	54%

Johannes BRAHMS - Sechs Quartette, Op.112 - I Sehnsucht

fredipi

5:36	Est. Play Time
82	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		34	54	15	6	93%
		37	29	14	8	91%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		34	54	15	6	93%
		37	29	14	8	91%
Basse		19	0	6	6	83%
Ténor		20	0	10	6	82%
Alto		17	0	6	6	76%
Soprano		16	0	7	5	76%

Hector Berlioz - Grande Messe des Morts, op.5 - 04 Rex tremendæ.

fredipi

5:29	Est. Play Time
112	Measures
	2,638Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		45	146	22	10	95%
		40	95	21	9	97%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		45	146	22	10	95%
		40	95	21	9	97%
BASSI I e II.		23	0	8	8	80%
SOPRANI ed ALTI		20	0	7	8	80%
TENORI I e II.		18	0	6	9	79%
Alti		18	0	6	8	78%
Basse I.		22	0	8	8	78%
Basse II.		21	0	7	8	78%
Soprano		20	0	7	8	78%
Ténor II.		18	0	6	9	77%
Ténor I.		18	0	6	8	77%

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